Alberto Mizrahi – Trio Globo – Matzah to Menorah

Alberto Mizrahi - Trio Globo

 

AM-TrioGlobo-MatzahCover-300
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Songs for Passover
1. Abastava A Nos (Sephardic “Dayenu” Chant)
2. Dayenu
3. B’Tzet Yisrael (Chant)
4. B’Tzet Yisrael (Livorno Tradition)
5. Miriam’s Prophecy
6. Odecha Ki Aniani
7. Un Cavretico (Ladino “Chad Gadya”
8. Eliyahu Hanavi
Songs for Hanukkah
9. Oy, Chanukkah
10. Mi Yemalel
11. S’Vivon, Sov, Sov, Sov
12. Ma’oz Tzur
13. Ocho Kandelikas
Abastava A Nos (Sephardic “Dayenu” Chant)

B’Tzet Yisrael (Chant)

B’Tzet Yisrael (Livorno Tradition)

Miriam’s Prophecy

Odecha Ki Aniani

Un Cavretico (Ladino “Chad Gadya”

Eliyahu Hanavi

Oy, Chanukkah

Mi Yemalel

S’Vivon, Sov, Sov, Sov

Ma’oz Tzur

Ocho Kandelikas

 

REVIEW
A new review of Matzah to Menorah is out from AllAboutJazz.com
By HRAYR ATTARIAN, Published: January 8, 2013

“There is a well-established legacy of fusing the sacred with the secular in jazz. Pianist Duke Ellington’s Concert of Sacred Music (RCA, 1966) is, perhaps, the most ceremonial example of this but there is a myriad of other recordings. Guitarist Grant Green’s gospel-inspired Feelin’ the Spirit (Blue Note, 1962), pianist/harpist Alice Coltrane’s exploration of Hinduism and beyond on Universal Consciousness (Impulse!, 1972) and saxophonist Pharoah Sanders’ nod to Islam with the classic Summun Bukmun Umyun (Impulse!, 1970), are a few of the more freewheeling expressions of this musical relationship.”
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